Earliest forms of alchemy existed in ancient Egypt, where magic
ruled
Alchemy:
What Was It and Can We Still Use It?
by Joy Cagil
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Alchemy, in
its essence, implies changing the nature of things. In the lore of
some societies, this came to mean a lot over the course of time.
Birds were
thought to be the symbols of alchemy. Phoenix, Raven, White Swan,
Peacock, and Pelican corresponded to an inner experience and inner
dimension of spiritual being. The alchemist or the poet who observed
the birds saw an image of the human soul going through a development
that freed it from the earthly things, because the birds took flight
between the physical and spiritual worlds and, if they landed, they
landed on the Tree of Life or the Stone of wisdom.
William Blake
wrote:
"How do you
know but ev'ry Bird that cuts the airy way,
Is an immense
world of delight, clos'd by your senses five?"
In most
traditions, the language of birds is the tongue of Secret Wisdom,
through myth and symbolism, not only in Alchemy but also in Kabbalah,
Astrology, and Tarot.
Alchemy was
considered to be as deplorable as black magic at one time; yet, at
another time and place, it was lauded as being the highest form of
science bordering with art for being the science through which the
baser materials like copper were changed into gold and silver.
I remember
from the time when I was into the Middle Eastern lore that there was
this saint who could change dry leaves into gold through a formula
given to him by the Creator. Of course, being a saint, he didn't
need the gold, so he changed the gold back to dried leaves in one
night. This is a parable, as the human imagination has no bounds.
The earliest
form of alchemy existed in old Egypt where magic ruled. Ancient
Egyptians believed that magical powers existed in metallic things,
alloys, and the like. Chances are, the whole thing was based on
Hermes Trismegistus's art from the ancient Greek times. The seed or
at least the hope of alchemy subsisted also inside Europe's bronze
working classes and in old Byzantium. Over the centuries, numerous
publications came to existence requiring scholarly inquisition on
the art (or science) of alchemy.
If alchemy's
first obsession was gold, the second was to discover a potion that
would prolong life, or better yet, that would make man immortal. The
third obsession of alchemy has been the manufacture of human life,
artificially of course, which is scary. I imagine it ending up like
the dry leaves parable.
Transmutation
of metals could supposedly be accomplished by the Philosopher's
Stone, which had been associated with the Salt of the World, The
Elixir and the like. In its conceptual form the stone reflected
higher wisdom and intelligence.
The entire
process of alchemy was based upon the research and examination of
nature and the way in which it operated, how the metals became
metals inside the depths of the earth, and how sulphur and mercury
acted upon them.
According to
alchemists, nature was divided into male and female and also into
four regions: dry, cold, warm, and moist. Ayurveda healing comes to
mind; although, I don't recall if or how the two can be connected.
Into all this study, of course, went the alchemist's character,
which had to be truthful.
Someday, all
these things that alchemy wanted to accomplish may be possible
through science. But what then? What if we changed everything into
gold? Remember the story of Midas?
What if the
thing we changed with good intentions through alchemy or science
resulted in calamity? I have a feeling that in order to dare change
the base or nature of anything, one has to know everything in its
entirety. Possibly, that privilege belongs only to the Creator.
One may use
alchemy in another way, however. A soft word, a friendly smile, a
holding of a hand, and our intent for world peace can be the best
Philosopher's Stone we can use. Maybe this way, we won't have to
change the essence of things and people, but we may help them find a
full meaning inside their basic framework.
About the
author: Joy Cagil is an author on
http://www.Writing.Com/ which is a site for
Writers. Her
background is in linguistics, and humanities.
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